They talk of visionary composers and the 79-year-old Reich certainly fits that bill. Minimalist music has always banked on the hypnotic lure of the mesmeric, at its most tiresome in the metronomic wallpaper that Philip Glass lays out. Reich is far less literal, actively toying with our preconceptions and perceptions.
His early "Phasing" pieces, with instruments deliberately out of sync with one another, brought with them an almost out-of-body experience. Yet, Reich does not want it to be too easy. In 1968, laying out his musical expectations, he emphasised the need for perceptible processes, wanting the listener to hear the processes and structures underpinning the all-enveloping dazzle and shimmer.
So it is with Music for 18 Musicians, from the beginning when the cello enters and darkens the bright malleted chords. A dancing marimba rhythm launches the next section and, eventually, a blaze of chiming joyousness on which I could imagine overlaying the opening chorus of Bach's Magnificat. Far-fetched? Maybe. Why not buy it and take yourself on the sonic trip of your life?
Verdict: "Ace American ensemble makes minimalist classic gleam anew"