"Art Ache is about clearing out the studios and testing new ideas. It's a really comfortable environment to potentially meet new patrons. It's a different way to get art to the community," says Ralfini, who has run these nights since last October.
This bold Elam graduate was inspired by the fables of Montmartre in Paris.
Golden Dawn provides an appropriately bohemian atmosphere with its turn-of-the-century brick courtyard and outhouses. "The lights are dimmed so people who come and purchase an item have this memory. It's romantic, but I try and make it really low-key. There's far more work hanging than you'll find at a normal show and we'll often have a live painter."
Ralfini charges a modest commission, a fraction of what a dealer gallery would ask.
Growing up surrounded by a community of film-makers, musicians and painters has armed her with new methods to promote and sell artwork, but it's her playful enthusiasm that's most memorable. When she's not designing or wrangling artists you might find her in summer bobbing on the harbour in a nutshell pram fishing with her good friend, Misery (artist Tanja McMillan), although they do worry about the Te Atatu great white.
If you can't make it to Art Ache you can hear Ralfini on bFM at 9.30am each Thursday profiling an artist or exhibition on her regular slot, Who Arted?.
For those hoping to keep up with the Ralfini whirlwind, her Facebook blog, ELAM THE 90s, will help you plot the course of this fast-tacking impresario.
The next Art Ache runs from 5pm to 8pm at Golden Dawn on Thursday July 2, and it will feature a guest curator for the first time, Natalie Tozer, who runs the dealer-studio Lot 23 in Eden Terrace.