Bach's four Ouverturen or Orchestral Suites are a shining testament to the fact the great master did not spend his life sequestered in an organ loft. Scholar Gilles Cantagrel has suggested Bach may have played these works with his Leipzig musicians in the town's smoke-filled Zimmermann Coffee House, although with
Album reviews: Bach & Zelenka
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CD cover: Bach, Ouverturen. Photo / Supplied
Later, the celebrated Air on the G string, for strings alone, reveals a miracle of shading, when cellos do so much with a few beats of semiquavers leading to a welcome reprise.
There are more woodwind delights in a new Linn recording of Sonatas by Bach's near contemporary, Jan Dismas Zelenka (1679-1745), played by the Ensemble Marsyas with violinist Monica Huggett.
Perhaps it is Zelenka's Bohemian background that gives the music its punchy earthiness but I suspect this Scottish group, with its vibrant double reeds and strumming harpsichord, has something to do with it as well. Surrender to the flying syncopations and saxy bassoon of the CD's second F major Allegro, and you may hear hints of jazz to come, centuries before it turned up in New Orleans.
Stars: 5/5
Bach: Ouverturen (Harmonia Mundi)
Stars: 4/5
Zelenka: Sonatas (Linn, both through Ode Records)
Verdict: "Life is a merry and stylish dance in new recordings of familiar and less familiar Baroque masters."