Once you know the story about Unknown Mortal Orchestra frontman Ruban Nielson's experience with polyamory while this album was in creation, it's hard to forget. Except if you'd never heard about it, it's entirely possible that you could listen to Multi-Love and never have any inkling of that story, because
Album review: Unknown Mortal Orchestra, Multi-Love
Subscribe to listen
Unknown Mortal Orchestra.
There is less guitar and more synth overall (Nielson built his own synth collection, created his own patches and fades), fuelled by a natural instinct for strong grooves.
There's no denying the influence of Prince (Ur Life One Night is a brilliantly bent homage), or Frank Zappa, but Neilson still comes up with something wholly original, and the contributions of his brother Kody (production, drumming etc) and father Chris (horns) only add to the exuberance.
Though heavily processed, the vocals are soulful, his easy melodies phrased perfectly to fit unexpected harmonic progressions, and full of inventive rhythmic patterns. They underpin the diversity of styles that flow through the album - the amazing futuristic-jungle-disco sound of Can't Keep Checking My Phone; the burning flamenco-ish, astronomical, submerged world of Extreme Wealth and Casual Cruelty; the deep funk groove propelling The World Is Crowded; the Mint Chicks-like precociousness of Stage or Screen.
It's all brilliant stuff, and there's plenty more to uncover on every listen - such is the nature of UMO's musicality.

Artist: Unknown Mortal Orchestra
Album: Multi-Love
Label: Jagjaguwar
Verdict: Brilliant, joyful genre-mashing.
- TimeOut