Britain's The Telegraph described one of the pianist's recent performances as so powerful: "Lortie threw caution to the winds, summoning reserves of sheer power that made the walls shake."
"He wowed the audience and was repeatedly brought back to the stage in some of the warmest response to an artist given this season," said The Calgary Herald.
"When I play with an orchestra, we're getting to speak, as much as possible, a common language," says Lortie. "For me, it's fascinating to see the conductor convey that to the musicians."
Maestro Fisch, Principal Conductor and Artistic Advisor of the West Australian Symphony Orchestra, works with leading orchestras and opera companies. He's especially celebrated for his interpretations of Romantic and post-Romantic composers, while conducting a wide variety of repertoire, from 18th century opera composer Gluck to contemporary works.
In Transfiguration, his NZSO debut, Maestro Fisch will also conduct Richard Strauss' Tod und Verklärung (Death and Transfiguration), an impassioned tone poem of a dying artist's reflection on life.
Wagner's Overture to Tannhäuser is taken from his riveting opera of lust, love and redemption where a troubadour becomes of the lover of the goddess Venus.
"I see our job as inspirers," says Maestro Fisch about being a conductor. "We have to inspire our musicians to give the best that they have."