
Cabaret review: La Soiree, Spiegeltent
La Soiree is a spiegeltent spectacular thanks to three amazing acts, writes Raewyn Whyte.
La Soiree is a spiegeltent spectacular thanks to three amazing acts, writes Raewyn Whyte.
Trolls, dancing and cake make Peer Gynt absurd, smart and funny, says Janet McAllister.
The storm clouds swirling above the open roof of the Pop-up Globe seemed to hold a mirror to the wild passions unleashed in the staging of Othello.
Once an 80s heart-throb and chart-topper, Jason Donovan is on his way to NZ.
The Biggest is a highly entertaining journey into male identity, says Paul Simei-Barton.
iD is heart-stopping spectacle and circus at its most modern, writes Dione Joseph.
A play about Shakespeare in prison avoids clichés, writes Janet McAllister.
Theatre reviewer Janet McAllister has a mixed night out at the fringe festival.
Reviewer Dione Joseph leaves Pop-up Globe's Henry V with a new favourite play.
A night on the Floating Theatre makes for an enchanted evening, writes Janet McAllister.
Can a performance make us genuinely care about the dying? Dione Joseph thinks so.
Theatre review: Paul Simei-Barton takes a look at the Pop-up Globe's latest production.
La La Land producer Jordan Horowitz has opened up about the mortifying moment.
Who says you need to be on land to see a show in the Auckland Fringe Festival?
The Pop-up Globe reminds us the Bard knew a thing or two about entertainment, writes Paul Simei-Barton.
Auckland Arts Festival is producing five community-based projects where participation is the focus
A play at the Fringe Festival questions the pardons being given to gay men
From comedy to science fiction, there are few topics acclaimed New Zealand playwright Stephen Sinclair hasn't brought to the stage.
The component parts of Carl Bland's surreal mystery play present a cornucopia of theatrical delights.
Provocative play prompts us to think before we speak.
He's a seasoned professional but for actor Te Kohe Tuhaka, his latest role is something of a debut.
Summer Shakespeare As You Like It is a good time, but a long one.
Is it okay to stage The Mikado in 2017? Most definitely, writes William Dart.
Damien Avery travelled a bit on his own in 2012, to the US, England and through Europe.
Silo Theatre's latest play takes the words out of our mouths and considers how powerful they really are.
Pop-Up Globe enchanted and enthralled audiences last year, repeatedly selling out shows and extended its season twice due to its outstanding popularity - and now it's back to do it all again.
Women of colour stand up and make some noise in Hot Brown Honey as part of Auckland's Pride Festival.
Actor George Henare talks about life in a Broadway-style blockbuster musical.