
Dane Rumble - The Experiment
For an album with such promising name, Dane Rumble's album is not exactly experimental
For an album with such promising name, Dane Rumble's album is not exactly experimental
If you were swept away by the broadcast of the Metropolitan Opera La Boheme, then Gerald Finley's Marcello may have been one reason for the intensity of your pleasure.
Scott Kara reviews new album Rocksteady: The Roots of Reggae
Scott Kara reviews new album Ali and Toumani from Ali Farka & Toumani...
Jacqueline Smith reviews new album The Magician's Private Library from Holly Miranda
Christopher Owen, the brains and voice behind San Francisco's Girls sounds sad - about girls.
It's been a decade since British electronic act Goldfrapp - singer, synth player and clothes horse Alison Goldfrapp and producer Will Gregory - released their debut album Felt Mountain.
The debut album Alive of two years ago by this photogenic Chinese singer was a mish-mash of electro-pop, slightly twee vocals, Chinese folk, new age blandness and deadening over-production.
Let's take a trip back in time to when ravers wore gas masks, and if you weren't wearing a mask you were blowing a whistle, while dancing to yabbering happy hardcore and banging beats that send you raving mad.
Jacqueline Smith reviews new album Devil's Halo from Meshell Ndegeocello
Jacqueline Smith reviews new album Wave If You're Really There from Wave Machines
Scott Kara reviews new album There Is Love In You from Four Tet
Russell Baillie reviews new album Humour and the Misfortune of Others from Hollie Smith
Given there's hardly been a shortage of Hendrix albums since his death in 1970, the question is: Why had this album gained so much attention?
Jacqueline Smith reviews new album The Pursuit from Jamie Cullum...
Megasus play slovenly and unhinged music, almost to the point where the songs fall apart.
Scott Kara reviews new album I'm New Here from Gil Scott-Heron...
While Massive Attack's fifth album doesn't have the anthemic tunes of early albums Blue Lines and Protection, making it a return to form for the Bristol band.
Charlotte Gainsbourg's voice is haunting, saucy, and memorable.
If the shadow of climate change has hung over previous albums by this pan-Pacific group then it is hard to hear some of this without thinking of last year's tsunami.