Funk-inspired jam-rap about robot sex? If there's one 90s band that should be well past their use-by date, it's the Chili Peppers.

Labyrinth of Lies dramatises the campaign that led to the Frankfurt Auschwitz trials of 1963-1965 in which 750 of 789 SS officers charged were convicted.

It's nice to reminisce and catch up with the four turtles again - but it would be much better to have the option to play with my son.

The length of time between films might be good for Finding Dory, as it has a sameness to the original.

Review: Resurgence is left feeling like a derivative mash-up of bigger, better franchises.

Orenthal James Simpson has roared back into the public consciousness this year, and this riveting documentary is irresistibly compelling television.

The latest episode of Game of Thrones delivers everything you could've wanted, and everything you never knew you needed.

What new paths might Mozart have pursued had he lived to capitalise on the popular success of The Magic Flute?

The enduring relevance of Greek tragedy is persuasively demonstrated in Euripides' Medea.

You don't need to be familiar with Jojo Moyes' popular novel Me Before You to know what happens in this adaptation.

The Secret, based on a bizarre true story, is both painstakingly paced and a show in a hurry.

COMMENT: We know exactly what to expect - a darkly comic mix of disorganised crime, family melodrama and unabashed Kiwi nostalgia.

The Lang Lang circus came to town, pitching a tent in our most exotic movie palace.

ATC's reboot brings a blast of anarchic energy to the remarkable story of how New Zealand beat the world in granting women the right to vote.

In 2016, it's possible that there is nothing less relevant or sexy than a magician.

With help from the "New Zealand Symphony Orchestra" our comedy stars slay them in New York on opening night.

Wild Things is a celebration for Brown, a celebration of love, good times, newfound clarity, and getting her groove back.

In a brazen one-man performance, Potato Stamp Megalomaniac depicts a real life roller coaster breakdown.

Last year, Janine Jansen filled Auckland Town Hall playing Tchaikovsky with the New Zealand Symphony Orchestra, her performance melting all but the stoniest of hearts.

The two lead performances are worth the ticket price alone in this rough and tough buddy movie.

Happy Valley is a lot like other crime dramas on the surface, but it takes viewers where few others dare.

He's from Buckinghamshire, she's from Florida, but there's something about the duo that makes them sound like no one else.

Ariana Grande's new album, Dangerous Women, is a step up with its gritty, R&B sound with a dance-pop twist.

The Japanese master of domestic drama, and heir to the tradition of the great Yasujiro Ozu turns in another of his beguilingly simple family stories.

It's a rare artist who can wrap up the past, present and future in one unique package. But that's exactly what Skepta manages to do.

It's not an album without hope and there's plenty of softness and warmth to be found in the fragility and sadness.

The Block is back, but is committing to four nights a week like starting a lengthy prison sentence?

Rachmaninov's Vespers holds a special place in the composer's output, far removed from the popular concertos that reflect his international career as a concert pianist.

With America's heartland falling under the spell of an unlikely saviour, a local revival of Evita couldn't be better timed.

Enso String Quartet still has the freshness and attack that spurred one critic to rationalise the group's smouldering power as half honey and half molten lava.