Nicky Harrop revisits some of NZ's kids show theme tunes.

Jekyll and Hyde is theatre like you've probably never seen before, writes Dionne Christian

Kane Strang has come a long way from the lo-fi bedroom alt-rock on his debut.

Haim's brilliant songwriting is clouded by invasive electronic flourishes.

Forget about boasts over big beats. This is a confessional - and it feels real.

Calvin Harris' new album is really good, but could all that star power hurt him?

A TV show about wrestling? Stop, wait, no, come back, writes Alex Casey.

The APO did a stellar job of bringing the magic of Harry Potter alive.

Versatility, virtuosity and artistry are on show in the NZ Dance Company's latest work.

The first film was great, the second a dud. So how's the third film in the Cars franchise?

Two surprising Matariki shows use music to express new ideas, writes Janet McAllister.

A superb Brahms and curiously stylish Ravel worth a listen, says William Dart.

There's so much happening on Melodrama it's hard to take in, but once you do it's amazing.

Early performances in the Pacific Dance Festival show vibrant heritage, says Raewyn Whyte.

You could be forgiven for thinking Witness might have actually been good.

SZA goes down the rabbit hole of losing control, and you'll want to go with her.

If you're still sitting on the fence, Crack-Up probably won't change your mind.

The play Jane Doe is an insightful and powerful look at rape culture, writes Ethan Sills.

If you've already torn your hair out over The Witness, Rime will feel very familiar.

Does this make up for the lack of action by The Black Keys lately? Erm, well, no.

Chris Schulz reviews the good, bad, and plain weird from throwback show I Love the 90s

He's been here plenty of times, but tonight was different. DJ Shadow was here to have fun.

Despite muddled moments, Relaxer is saved by its overarching stability.

Baywatch is the most ridiculous film ever, but somehow, it's still really enjoyable.

Bryson Tiller's latest album is missing all the swagger from Trapsoul.

If you're new to Lil Yachty, you probably find his rapping style a little unconventional.

The Keepers is "harrowing but impossibly compelling" writes Duncan Greive.

Harding can move with nothing but light guitar and her broad, exquisite voice.

You could tell what kind of show we'd just seen by the reaction of the crowd afterwards.

Farpoint gives you a gun and strands you on a terrifying planet filled with spiders.