
The orchestra's new apprentice
Ray Chan is the APO's first conducting fellow, one of the orchestra's many initiatives to bring music to more Aucklanders
Ray Chan is the APO's first conducting fellow, one of the orchestra's many initiatives to bring music to more Aucklanders
Auckland Philharmonia Orchestra launched its main New Zealand Herald Premier series with John Rimmer's Vulcan, a fanfare it commissioned 18 years ago.
Violinist Chloe Hanslip will play Mozart her own way on her beloved 1737 Guarneri del Gesu instrument.
Is it okay to stage The Mikado in 2017? Most definitely, writes William Dart.
William Dart reviews the APO's first concert of 2017.
Composer Tan Dun combines classical music with smart phones, writes William Dart
William Dart previews the concert highlights of 2017.
Auckland Philharmonia Orchestra "settles the score".
French pianist once more embraces the music of his homeland.
Ever since Ning Feng topped the 2005 Michael Hill International Violin Competition, he's returned to NZ for regular concerto appearances with APO.
The title of the first concert of APO's Bayleys Great Classics series was a giveaway: a "Grand Tour", firmly locked into a European itinerary.
Working with the legendary Boulez was an unforgettable experience, says Barenboim.
The Auckland Philharmonia Orchestra is coming home.
More concerts should come with entrees as taste-tempting as Stravinsky's Pulcinella Suite, writes William Dart.
On Sunday, Nikolai Demidenko launched Auckland Museum's 2015 Fazioli International Piano Recital Series with a thoughtful and testing Chopin programme.
If the test of Auckland Philharmonia Orchestra's annual Celebrate Christmas was its popularity, then a full house for a second performance must be the ultimate accolade.
Nikolai Demidenko playing Rachmaninov's Second Piano Concerto was doubtlessly the reason for Auckland Philharmonia Orchestra's full Town Hall on Thursday and, as one expected, his uber-pianist status was effortlessly confirmed.
The popular misconception has always been that Schoenberg's music is box office poison.
The pathway to James Ehnes' superlative Elgar Violin Concerto was a beguiling one.
Auckland Philharmonia Orchestra's Splendour series has taken a slightly different approach from previous years.