FIONA RAE tunnels underground to review television's latest sadistic experiment.
Are psychologists on hand to debrief the unlucky Mole contestants who make the long walk down the breeze-block corridor?
When The Mole (TV2, 7.30 pm) began and that radio guy was sent packing in the first episode it seemed like a cheesy set-up. And it was pretty daft when host Mark Ferguson suggested the older, overweight guy who was panicking at the prospect of a bungi jump might be the mole. Of course, he was panicking - he was older and overweight.
And what about that television set/computer jack-up at the end where one team member is weeded out with a red screen? But now, six weeks down the track, the tension in that little room is palpable.
The programme has turned into a serious mole-hunt, with Ferguson overseeing proceedings like a mean father. His low-key approach and easy rapport with the team, and the camera, hides a devious underbelly.
His niggling suggestions - like tonight during a paint-ball game when he encourages individuals to shoot other members of the team - keep pushing the players. Are they out for themselves or the team? The money or the honour? If they win does a career in television beckon?
Throughout, there's been a series of inventive tests and games that have seen the unfit or the wimpy doing the long walk. Thankfully, tonight's games do not feature animals or kidnapping. Just snipers and lawn bowls.
It has to be said The Mole is at times a sadistic social experiment. Originally a Belgian show (De Mole), the Australians took the idea and ran with it for 18 days in Tasmania. The prize money amounted to $A200,000 and, like here, it was a ratings winner.
For the final, three remaining contestants were locked into cells at Port Arthur. The winner was released, exposing the Mole. "It was fascinating to watch the cracks emerging over the course of the series and then to see these bonds shattering," said the Australian executive producer.
And it's getting down to the wire here. With only two weeks to run after tonight, the prize money seems less important than the identity of the mole.
Ferguson is making sure all are under suspicion: "Karl's always hiding something," he remarks slyly tonight. Karl is shaping up pretty well but he may be too obvious. How about that quiet Ian? Cat's too anxious, don't you think? Actually, I think I have it worked out: he's been messing with everyone's minds too long. It's definitely Mark Ferguson.
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