Russell Baillie writes about movies for the Herald

Crew making an art of lifting Waits

Add a comment
Canadians say putting stamp on US singer's work doesn't make them a tribute band.
L'orchestre d'hommes-orchestres say they don't play Tom Waits, they play at Tom Waits. Photo / Supplied
L'orchestre d'hommes-orchestres say they don't play Tom Waits, they play at Tom Waits. Photo / Supplied

The world of music abounds with tribute acts. Groups of doppelgangers playing note-perfect renditions of the Beatles, Pink Floyd, Abba, Queen, Led Zeppelin and the like.

But it's not just classic groups that get the treatment. Even the singular veteran American singer-songwriter Tom Waits - he of the gravel voice and rusty, dusty junkyard music - has inspired his own cover bands. Take your pick between the Rain Dogs of Bucharest or Raindogs of Cairo, among many others.

Then there's L'orchestre d'hommes-orchestres of Quebec.

They are not a Tom Waits tribute band. But they do play his songs live on stage. There's actually more to it than that. They make Waits songs into performance art.

"We don't pretend to be him," said the group's Bruno Bouchard. "The only tribute would be to honour his work by playing it. It's just like playing the Shakespeare texts. You don't tribute Shakespeare. You play Shakespeare.

So that is kind of the way we get into this whole world."

The name of the outfit, which performed at the New Zealand Festival in Wellington before playing three nights at Auckland's Q Theatre, translates to "a band of one-man bands". They're part band, part arts collective.

The Waits show is but one project involving LODHO combining live playing and theatre to make "music to be seen".

"The company is a multi-disciplinary art company so we're very much into music but we are very influenced by visual art, poetry, performance, theatre and dance."

It was Waits' sometimes abstract music which inspired the mixed-up approach. "His music has a lot of texture - texture in the voice, texture in the percussion and all that and trying to find how to reproduce or go into that sound, we discovered how to play music with objects.

"That became a way of doing music that we brought to other shows.

"In our show it's not that we play Tom Waits, it's we somehow play at Tom Waits.

"The idea is that we take the rules he was playing music with and we try to play music with those rules but in our own way. So sometimes we transform his music into some other kind of music, being really respectful to the melody, to the harmony.

"People are going to recognise the songs ... but it's something that comes from his world and ours at the same time."

They have been playing the Waits show for six years now, complete with a mix of traditional instruments and invented ones, as well as kitchen implements, tools, and some other stuff that can make international touring interesting when it comes to customs halls. Anything to declare sir?

"Well I have a cow skull and spaghetti," laughs Bouchard "I make music with it but, listen, it will be hard to explain."

Waits has apparently heard of LODHO's take on his music. But if the man himself turned up to a gig, Bouchard isn't sure what his reaction would be.

"Maybe we could let him sell his CDs at the door."

What: L'orchestre d'hommes-orchestres

Where: Q Theatre

When: Tonight 7pm, tomorrow and Thursday, 8pm

- NZ Herald

Get the news delivered straight to your inbox

Receive the day’s news, sport and entertainment in our daily email newsletter

SIGN UP NOW

Have your say

1200 characters left

By and large our readers' comments are respectful and courteous. We're sure you'll fit in well.
View commenting guidelines.

© Copyright 2016, NZME. Publishing Limited

Assembled by: (static) on production apcf05 at 25 Sep 2016 11:44:48 Processing Time: 1261ms