
Arty parties: The directors of our major arts’ festivals put their stamp on 2024 programmes
Creative directors on why they chose the shows they did - and life after Covid.
Creative directors on why they chose the shows they did - and life after Covid.
A taster of the shows you don't want to miss at 2024's biggest NZ arts' festivals.
An adaptation of the beloved novelist’s “Mansfield Park” ranks among the shows.
Tusiata Avia's new work responds to the furore her award-winning poetry belatedly ignited.
Robert Lord's plays were performed by the likes of Meryl Streep and David Bowie.
Two years in the planning, classical superstar Anne-Sophie Mutter is set to arrive in NZ.
Half the fun of getting into records is that they can be a group activity.
Music is available at the touch of a button, but records are still on the rise.
Why the NZ ballet pioneer was born to dance.
‘I do the big stuff.’
Other major fan favourites are also back on tour for the 2024 season.
‘Young Rock’ sitcom star and Shakespearean actor turns to directing.
Does a form of foreign street dance offer a different paradigm for how we socialise?
"For me, speaking and teaching te reo Māori is the strongest form of activism."
Garment wranglers, riggers, models and designers about putting it all together.
“It doesn’t matter what creed or religion you are, botanical art crosses all boundaries.”
Whether composing or performing, Briar Prastiti has tapped her Greek heritage.
The show sees a guinea pig humanised by the venerable Jennifer Ludlam.
Art suffers as most prestigious music school is facing cutbacks and another has closed.
Our grande dame of dance is flexing her muscles, ready to leap into future challenges.
Die Tote Stadt is set to be performed for the first time in Auckland.
Emily Perkins talks about why she moved on from acting and opens up on her father's death.
US author was a seer who foretold the destruction of our natural world in his novels.
Experts delve into why an Auckland library owns a copy of Shakespeare’s First Folio.
The incoming general director of New Zealand Opera is keen to share the power of music.
The acclaimed theatre company sets the scene in an international corporation office.
Pressure on students to qualify for careers has seen the BA degree take a battering.
Director is struck by the relevance of the Mama Hooch case to his play Prima Facie.
With laughter-filled lungs like industrial bellows, he's a combustible ball of enthusiasm.