"Remember also that Mataatua represented New Zealand at the most significant international expositions of the late 19th century, so it connects us all as New Zealanders, too. It is a national icon that all Kiwis can be proud of."
Mr Stewart said the project team had worked hard to deliver a product as different as possible to the "conventional Maori tourism model".
"We are an hour away from Rotorua, the undisputed cultural tourism capital of New Zealand, so we knew we had to provide an experience unique to what is typically offered there.
"So that ruled out a product built on the traditional 'haka and hangi' performance-based model. Our relations in Te Arawa are the kings of that particular brand of tourism and it would be incredibly naive, and quite silly, of us to think we could realistically compete with them at something they are so good at.
"We quickly realised that we had to build a multi-layered experience with as many platforms as possible to engage the visitor beyond what they see and hear.
"We want them to leave us feeling they have an emotional, or even spiritual, connection with the house, its story and its people. That is the depth of experience we are aiming for."
In a fusion of tradition and technology, Mataatua also boasts a point of difference in the impressive Hiko: Legends Carved in Light digital experience that brings the stories behind the ancient carvings of Mataatua to life.
"Hiko is not merely another 'light show', it is a world-class digi-cultural spectacle that uses the latest in video mapping projection technology to bring the ancestral legends of Mataatua to life before your eyes," said Mr Stewart.
"We are not just the first Maori cultural operator to utilise this technology, it is a first for the whole industry and this reinforces and highlights the absolute uniqueness of the overall Mataatua experience."