There is more to know about Brighton, but as a condensed description, this is pretty accurate.
Through cricket and fishing, young Joe studies masculinity: cricket sheds smell of men; casting a line was ‘the theatre of manhood’; silent fishermen are a ‘fraternity’. The men Joe admires are quiet, unambitious. Women don’t get much of a mention, apart from the ‘plump local girls’ who get off with visiting French schoolboys.
The tone of the book is understated and self-deprecatory. Young Julian, known as Podge, is preoccupied by observing manhood, being chubby, failing to be brave. This is a man who doesn’t want to be trapped in a teaching career, but nearly is; who suffers abuse at the hands of a predatory cricket coach until inadvertently saved; who ends up in New Zealand because someone who knew someone rang him. Joe watches his past self with a wry, dry eye.
The thing that kept me reading, for hours on end until the book was done, was the way in which Joe Bennet can nail a place, a person, a memory in a sharp phrase:
‘… his head was a beard with two eyes in it.’
‘… a mug of tea you could trot a mouse on.’
‘Villains and idiots are easy to paint. The kind are not.’
You’ll find your own favourites and end up with a book as marked up in pencil (or, gasp, pen), as mine.
Memoir is quite different to autobiography. It allows a writer to embellish, withhold, offer intimacy … or not. From There to Here is a ramble through a young life that many of us have lived, but most of us wouldn’t stand a chance of articulating with such beauty.