Examples of Jim Crow included; "No coloured barber shall serve as a barber (to) white girls or women (Georgia). All passenger stations in this state operated by any motor transportation company shall have separate waiting rooms or space and separate ticket windows for the white and coloured races (Alabama). The schools for white children and the schools for negro children shall be conducted separately (Florida)." Perhaps the most ironic relates to blind people: "The board of trustees shall ... maintain a separate building ... on separate ground for the admission, care, instruction, and support of all blind persons of the coloured or black race (Louisiana)".
This history casts a long shadow. The recent news coverage of unarmed black people being shot by police in various parts of the US is part of the ongoing legacy of slavery that continues through active discrimination that creates huge inequities in health, social, education and employment outcomes over generations. Despite being a world power, the US is hobbled by its own unwillingness to address contemporary racial discrimination within its own boundaries. This undermines its ability to take a moral stance when addressing intolerance in other nations.
It is hard to know how BB King felt about this racial divide. It was not something he talked about but his voice, accompanied by Lucille, carried in it the universal sound of hope and sorrow.
Over his lifetime, BB King witnessed huge changes and, in his own way, used his music to challenge notions of identity. He performed at the White House as a guest of the first black US President and his musical influence has been carried forward by a long list of (mostly white) guitarists from all around the world.
He has crossed many borders as an emissary of the blues; continents and countries, musical influences and socio-political barriers, all with wit, wisdom, warmth and an instantly recognisable single note style that carried all the sorrow and joy of music in its soaring tone. He shared his talent with generosity and welcomed all to share in that glorious space where the blues resides.
-Terry Sarten is a Whanganui musician, writer and social worker Feedback: tgs@inspire.net.nz