Jennifer Lawrence in The Hunger Games: Catching fire.
(M) 160 minutes
The notorious drama-action style we have come to expect from blockbusters is exceedingly fulfilled by the latest instalment in the Hunger Games trilogy.
Dystopia prevails within this franchise although in a refreshing, unique way.
Removed from the typical money-grabbing nature of similar films, Hunger Games: Catching Fire actually capitalises on dystopic thrill in provoking audience thought.
For someone who struggled to remember the original plot, suspense certainly triumphs.
A similar experience, I imagine, would be felt by those unfamiliar with the trilogy of books.
We initially reflect on Katniss' (Jennifer Lawrence) new reality. Obviously, at this stage, the connection to its prequel is useful although not essential.
In a twisted acceptance of society's shortcomings, the storyline quickly reminds viewers of the brutality that is inherent in this highly popular franchise.
Death, death and, yes, death. Euphemistic techniques are evidently ignored in favour of shocking viewing, a theme that runs through the entire 146 minutes, for better or for worse.
The wedding allusions come full circle with a whirlwind proposal and purposefully excessive dress.
Wedded bliss, however, is not enjoyed. It's interrupted by yet another Olympic-style killing games. What more would you expect?
Before you realise it's all over, somehow you have become immersed, waiting impatiently for each calculated act, cursing the evil "game makers" while becoming increasing grateful it's not you.
When the illusion ends it comes with the sad realisation that it will be a another year before we finally understand what happened to Peeta (Josh Hutcherson).
Reading the book may suffice but, realistically, we are all waiting for next year.
In the meantime, yes, you can watch it more than once.
Watch the trailer here:
Bocky Boo Gelato stores have popped up in Rangiora and Blenheim since the first store opened in Whangārei over five years ago. Video / Brodie Stone