“Your brain is the last thing to go, so it’s like you watch yourself dying. I was morbidly fascinated by what that meant.”
Isaac filmed Margaret Lee and her husband Stephen once a week for an hour over four years.
“At the start it was going to be about Margaret but it turned out to be more about her husband, Stephen, who emerges as the unlikely hero.”
Real life is never tidy. Isaac filmed Margaret when she was in hospital or hospice. Margaret hated those places.
“Having a terminal illness didn’t bother her as much as being institutionalised.”
But at no time did the couple ever ask Isaac to turn the camera off.
“There were rows, there was urine and faeces, but essentially there was love.”
The film celebrates the art of caring in all its horrors and joys, says Isaac.
“There are 800 new carers in New Zealand every year and, like Stephen, they are struggling. The Kiwi psyche is that you just soldier on. With our ageing population, we have a tsunami moment coming and we’re not prepared.”