To accommodate the dimensions of the contemporary theatre-goer, this is a slightly bigger structure, but the spirit of it, and the way it functions, is the essentially the same.
The Pop-up Globe is an exact replica of the second Globe Theatre, which was built on the ruins of the first Globe in 1614.
The circular structure’s thrust stage is encircled by three tiers of seating with a standing-room area in front of the stage for “groundlings”.
Encouraging intimacy with the audienceThe theatre’s design makes for such an intimate experience, members of the modern Globe theatre’s cast are encouraged to make eye contact with people in the audience.
There is no illusion of the fourth wall. As seen in a setting like the Globe Theatre, Shakespeare’s plays do not pretend not to be plays. The opening lines to Henry V, the play that opened the 1997 replica, include a reference to “this wooden O”, the theatre itself.
“But pardon, and gentles all,
The flat unraised spirits that have dared
On this unworthy scaffold to bring forth
So great an object: can this cockpit hold
The vasty fields of France? or may we cram
Within this wooden O the very casques
That did affright the air at Agincourt?”
The globe itself encompasses the world.
The Pop-up Globe Theatre programme opens on February 19 with the tragedy Romeo and Juliet. Along with Shakespeare’s comedy Twelfth Night, the shows will be presented by the Pop-up Globe Theatre Company.
Auckland University Students’ Association Summer Shakespeare Trust will present the playwright’s mysterious romance, The Tempest. Performed by a full cast and live musicians, this production marks a new departure in AUSA Outdoor Summer Shakespeare’s 50-plus-year history.
Other productions at the Pop-up Globe include the comedy Much Ado About Nothing, the dramatic history Henry V; tragedies Antony and Cleopatra, Hamlet, and Shakespeare’s Tarantino-esque early work, Titus Andronicus.
• For more information and bookings visit http://www.popupglobe.co.nz