Fashion is influenced by many factors and often reflects what is happening in society at the time. The textile collection at the Museum includes garments that reflect these changes.
An exciting time of change was the 1960s and 1970s when the way people dressed was an obvioussign of shifting attitudes.
In the early 1960s, Western economies and populations were booming. Young peoples' income was the highest it had been since the end of World War II.
This black crepe and gold thread cocktail gown was created by Michael Mattar of Taumarunui, and was purchased and worn by former Mayor of Whanganui, Annette Main, in the 1960s.
This increased economic independence for youth, fuelled a new sense of identity and the need to express it.
The dramatic changes started largely in the USA and Europe with styles influenced by the youth sub-cultures of the Beatniks (who rejected the mainstream in favour of artistic self-expression) and the Mods (because they listened to modern jazz music).
The Mods in particular helped focus the tastes of young people everywhere, and inspired the look of bands like The Who and The Beatles.
The fashion industry quickly responded by replicating their styles, creating designs for the young fans to imitate their heroes. This decade was the first era when young peoples' clothes were different from those worn by their parents.
New Zealand was usually several years behind the world in terms of fashion, but with the advent of television, young Kiwis were immediately able to copy what was happening overseas. In 1962 there were only 23,000 television licence holders nationwide, but this increased to more than half a million by 1968.
Television shrank the world, and by the mid-1960s, New Zealand young folk were wearing the same styles as their contemporaries overseas.
This decade saw traditional dress codes broken with women wearing trousers and showing more and more leg. The mini-skirt, popularised by English designer, Mary Quant, quickly earned its place as the decade's most iconic look. Others chose to bare very little by choosing the maxi skirt. By the 1970s skirt length had become the midi; mid length, around the knee.
It was not just the hem line that changed. Colour in clothing also went to extremes. What had been a muted or pastel colour pallet until the late 1950s became bright and bold, and many people were wearing combinations of colours and patterns that intensified their startling effects.
Mrs Merle Higgie wore this evening dress of orange chiffon with stitched orange flowers on the sleeves in the 1970s. It was created by Camette, a New Zealand design company based in Auckland.
The late 1960s saw the beginnings of the hippie movement when bellbottom pants first came into fashion, becoming even more popular during the 1970s.
The styles from the later 1960s tended to be more androgynous and quite free flowing.
They mimicked the social mind-sets of the era and were inspired by eastern cultures and political activities, such as the Vietnam War.
The 1960s also saw a move to incorporate the new man-made materials developed during World War II and for the space programme. Perspex, PVC, polyester, acrylic, nylon, rayon, Spandex, vinyl and others were fabrics of choice for new young designers wanting to create easy-care outfits that were eye-catching and fun.
Whanganui produced some of its own designers who became influential, on the world stage, as well as nationally. Whanganui-born Philip Shortt entered the Benson and Hedges Fashion Design Awards, New Zealand's major competitive fashion event that ran for 34 years between 1964-1998, three times, from 1969 to 1971, all with success; he received merit awards in 1969 and 1970 and won the Supreme Award in 1971.
Shortt studied at the Fashion School, Royal College of Arts in London. As he established his career he went on to dress Margaret Thatcher and designed the women's uniform for the British Constabulary.
Rosalie Gwilliam, also from Whanganui, entered the Benson and Hedges Award competitions throughout the 1960s and 1970s, with considerable success.
She is well represented, with 26 examples of her work, in the Eden Hoar collection of New Zealand fashion; this was developed by a farmer from Nasby and was the largest private collection of New Zealand fashion in existing.
The fashion industry of the 1960s not only changed what was worn, but how clothing was purchased. Old-style department stores were abandoned for boutique experiences.
At the same time, there was more mass production, which made keeping fashionable more affordable. Whanganui businesses catered specifically for the new youth market with two new shops called Teen Scene and La Boutique, both in Victoria Avenue.
Taumarunui could also boast a top-class fashion store, that of Michael Mattar's Haut Couture boutique. At the height of his fame in the 1960s, women would travel from Auckland and Wellington to purchase his exquisite cocktail gowns.
Trish Nugent-Lyne is Collection Manager at Whanganui Regional Museum.
