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Home / Bay of Plenty Times

Decision due on city's policy defining public art

John Cousins
By John Cousins
Senior reporter, Bay of Plenty Times·Bay of Plenty Times·
27 Apr, 2015 11:39 PM3 mins to read

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Owen Dippie's downtown murals. Next to Kale Print Cameron Road. Photo/file

Owen Dippie's downtown murals. Next to Kale Print Cameron Road. Photo/file

Tauranga's proposed public art policy has come under fire with one critic saying it lacks vision.

The council last Thursday came in for widespread criticism over the draft policy, with Tauranga public policy analyst Peter McKinlay saying it was not a public art policy.

Mr McKinlay was one of 10 people who spoke to their submissions on the policy drafted to answer concerns that decisions on public art were being made on an ad hoc basis.

What do you think about the city's public art? Have your say by commenting below.

He urged the council to defer a decision, saying it looked more like a policy to manage public space than to promote public art.

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Mr McKinlay questioned the fundamental issue underpinning the policy that it only applied to artworks on council-owned buildings and open spaces.

Owen Dippie's 27m-high recreation of the Birth of Venus being composed on Harrington House, not far from completion. Photo/John Borren
Owen Dippie's 27m-high recreation of the Birth of Venus being composed on Harrington House, not far from completion. Photo/John Borren

He highlighted the huge new Owen Dipplie mural on the side of Harrington House, saying that despite its impact on the environment it did not qualify as public art, while the smaller, less visible mural on the side of the Elizabeth St carpark building was public art.

Mr McKinlay used the wording of public art policies for Wellington, Auckland, New Plymouth, Nelson and Napier to underline the shortcomings of Tauranga's policy.

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"The draft policy degrades Tauranga's brand."

He said it was crucial that, when the council finally adopted the policy, it positioned Tauranga as a centre of innovation, creativity and excellence.

"It is a mindset. It is how we feel about what we are trying to create. Is it [the policy] purely functional or is it aspirational," he asked.

View our photo gallery of Owen Dippie murals below, or mobile and app users click here.

Discover more

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26 Apr 09:45 PM

Unanimous: Public art on the way

29 Apr 04:28 AM
The Ina Te Papatahi was originally painted by Charles Goldie but was brought back to life by Owen Dippie. April 2012.
Owen Dippie mural on Hull Rd, Mount Maunganui. September 2012. Photo/file
Owen Dippie's tribute to Girl with a Pearl Earring. March 2014. Photo/John Borren
Owen Dippie's downtown murals. The Madonna on the Elizabeth St entrance to the carparking building. March 2014. Photo/John Borren
Owen Dippie's downtown murals. Goldie, Willow Street. March 2014. Photo/John Borren
Owen Dippie's downtown murals. Elizabeth Street car park building. Photo/John Borren
The Madonna on the Elizabeth Street entrance to the carparking building. 1 December 2014. Photo/John Borren
Nelson Mandela mural in Ashworth Lane, October 2014. Photo/George Novak.
Lieutenant General Bernard Cyril Freyberg and Sir Edmund Percival Hillary are two of the murals at Tauranga Boys College created by Owen Dippy. 15 January 2015 Photo/Ruth Keber.
Owen Dippie's 27m-high recreation of the Birth of Venus being composed on Harrington House is not far from completion. 26 February 2015 Photo/John Borren

Image 1 of 10: The Ina Te Papatahi was originally painted by Charles Goldie but was brought back to life by Owen Dippie. April 2012.

Mayor Stuart Crosby said there was no doubt the draft policy was operational.

The flip side of Mr McKinlay's argument was whether the words made a difference.

Mr McKinlay responded that the words "absolutely" made a difference.

It was not just council officers and councillors but the broader community, so that everyone was in agreement.

The wow factor needed to be embedded in the underlying objectives of the policy.

Mr Crosby said artistic things happened around Tauranga without the council putting out "nice vision statements".

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Mr McKinlay said one of the messages from the public meetings was the sense of disengagement between the council and the artistic community.

The council received 38 submissions and will decide on the policy next Tuesday.

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