I was 13 when I saw my first foreign language film at the Academy Cinema in Christchurch. My Life as a Dog was by Swedish director Lasse Hallstrom and it had a massive influence on me; it's one of the reasons I do what I do.
His most recent films haven't had the same impact. Nicholas Sparks adaptations Safe Haven and Dear John are from Hallstrom's newer "Hallmark card" style of filmmaking; perfectly pleasant, engaging and predictable escapism.
So although The Hundred-Foot Journey may not live up to Hallstrom's memorable classics such as What's Eating Gilbert Grape or Oscar winning The Cider House Rules, fans of Chocolat (2000) staring Juliette Binoche will notice similarities.
Both Chocolat and The Hundred-Foot Journey feature interlopers who settle in small provincial French towns and where at the centre of their relationships is a passionate love of food.
In The Hundred-Foot Journey, these interlopers are an exiled Indian family led by patriarch Papa (Puri), who decides to open an Indian restaurant in a quaint town opposite a Michelin-starred restaurant run by Madame Mallory (Mirren).