Head [case], the installation by Julia Morison at the Sarjeant Gallery, given the title, is a surprisingly visceral experience. But then it is about the senses, which can evoke strong emotions – curiosity, joy, fear, revulsion, sadness, disgust and more – the 100 ceramic heads attract a huge range of
Sarjeant Gallery: Julia Morison's Head [case] installation is all about the senses
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Julia Morison's Head [case] installation is on at the Sarjeant Gallery until August 22. Photo / Supplied

The heads that are all modelled on a hat-maker's block are arranged in a honeycomb, or hexagonal structure, which forms a geometrical foundation for the exhibition. The structure is divided into seven "rooms" through which viewers can wander.
Morison has used the Sefirothic Tree of Life (Kabbalah) as a structure for many projects and Head [case] is also quite loosely based on this - a set of symbols working from the square up to the circle and including "positive materials" like silver, gold and lead with the clay.
Along with her preference for formalism Morison has a long-term interest in alchemy, Jungian psychology, surrealism and comparative religious symbolism, which she developed during her fine arts studies at the University of Canterbury. Previously, at design school she was used to working from a brief and said she needed a structure, adopting that of the Sefirothic tree, which she says is limitless.
"While its systems are very ancient they are also very contemporary I think. I layer them up; it's a form of collage."
The catalogue that accompanies the exhibition includes a diagram of the structure and full-page photographs of every head.
Teeth are a recurring image. A head entitled A Mouthful of Teeth scatters ceramic teeth in front of the head, each tooth attached by a thread through the puckering mouth. Teeth falling out is a common nightmare. An Italian psychologist and dentist used a photograph of this head and one held in the Auckland Art Gallery collection to illustrate his book on dental psychology.
Tear Catcher 2014 with buckets under its eyes references artist David Cross who, she was told, has no tear ducts.
"He does performance work where he collects his tears. I found that so interesting so I made that response – a tear collector head sculpture."
The exhibition has shown at galleries around New Zealand and it fills the main space at the Sarjeant on the Quay.
"This is the original configuration commissioned by the Christchurch Art Gallery, slightly altered to fit into a smaller space and to accommodate the pillar.
"At Object Space in Auckland there was no space around it as in other galleries. You just walked right into it; it was much more immersive. Here you can walk past it and also walk through its maze-like structure."
Morison is also well-known as a painter, which she continues to do. She was appointed an Officer of the New Zealand Order of Merit in 2018 for services to visual arts and has won many other prestigious awards.