Good design, some say, draws inspiration from the natural environment. The preponderance of pohutukawa blossom prints on tea towels, throw pillows, duvet covers, change purses and shower curtains, fill in the blank, in New Zealand appears to confirm this. However, one thing about design is that once its overdone, it
The versatility of driftwood
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Nelson Lebo and daughter Verti have some fun in the whare iti. PHOTOS/SUPPLIED
We moved to Castlecliff to be near the coast but, in a cruel twist of fate, during the first year we lived here I was kept so busy renovating and writing my dissertation that I only got out surfing three times. In the words of singer/songwriter, Alanis Morissette: "Isn't it ironic".
But now I have more free time, I spend a lot of it walking on the beach. If you have ever been to Castlecliff Beach you'll know that a dominant feature is driftwood. For me, the driftwood represents a connection between almost everything I know about the natural environment of the land of the long white cloud. A beautifully sculpted piece of twisted and polished branch pays homage to the forest on the mountainside from which it came; to the river that carried it; to the sea that tossed it; and to the sand that smoothed its rough edges.
Some of the most striking pieces are among the finest works of art I've ever seen. While Aotearoa is the artist, I am hardly the first to discover her talent. When visiting local artist Sue Cooke last week, she told me there was once a time when all artists who moved to Whanganui went through a "driftwood stage".
My use of driftwood outdoors serves multiple purposes - a bean or tomato trellis, arcs to support netting over strawberries, a funky fence to direct foot traffic, edging around our car park, posts to support wind netting, a climbing tower for our daughter, two play houses (whare iti and whare nui) and, most recently, a picnic table. Future plans include a swing set, a teeter-totter and benches for our table. Indoors, we've used it in Verti's nursery as artwork. From my perspective, the use of driftwood on our property represents the ultimate in eco-thrifty design. It is local, natural, organically grown, non-toxic and (nearly) free. The native timbers I select for ground contact are so dense (tight-grained) they will last decades in our well-drained sand.
Keen to try it? Check out the workshops: December 1, 1-4pm. Permaculture Design for a Suburban Section. How to design and install a low-maintenance/high-productivity food system by working with nature, not against it. Sliding scale, $25-$45.
December 8, 1-4pm. Driftwood Structures for Gardens and Landscaping. View the ways we've used driftwood as a beautiful, durable, free-building element. Learn how to make some of these items. Tools and galvanised nails provided. Sliding scale, $25-$45. Registration: theecoschool@gmail.com
Nelson Lebo consults businesses, schools, and homeowners on all aspects of sustainability - email: theecoschool@gmail.com or phone 06 3445013 or 022 6350868.