I'm writing this column from the comfort of a cloth-covered trestle table upstairs in the Wellington Town Hall in what has been dubbed the "Media Centre". I've worked in loads of "media centres" around the traps in the past, but this would take the cake for no-frills.
Although at least here there's one of those black apron things fastened around the table, so I can kick off my shoes out of sight. There are no distractions whatsoever. There is also no water, coffee, tea or fruit, no televisions, tiny muffins or magazines; but there's a multi-plug, WiFi and a toilet, which is all a girl really needs in this business anyway.
It's day three of the four-day, tri-annual Pinot Noir 2013 conference in Wellington, which has attracted 110 pinot producers, 300 wines and hundreds of delegates from around the world including, to use marketing department terms, international influencers and gatekeepers, all eager to immerse themselves in what has become, in a relatively short time, New Zealand's most important red wine.
When you talk to producers about why they choose to grow pinot noir, one of two things tends to happen. Their eyes either mist over and they gaze skyward before wistfully waxing on about its beguiling charm, its beauty and its earthy, mysterious sensuality; or they shove their hands in their pockets, shuffle, shrug and squint with the pain of remembering before blurting something like, "She's a bloody nice drink when you get it right, but it's a bastard of a thing to grow". Which is apt, seeing as the keynote speaker on day one was actor Sam Neill, a pinot noir grower himself (Two Paddocks, Alexandra, decent enough), who described our collective pinot-producing community as "a bunch of good bastards". He also went on to describe sauvignon blanc as (and I'd turn away if you're fragile) "bitch diesel" - but I digress.
That producing great pinot noir is no easy thing is evident by the greying hair and worry wrinkles in the room, and yet as soon as someone mentions tasting it, there's an instant, en- masse twinkling of eyes and lift in energy. We make it because we love it, and clearly consumers do too. Look at the figures: 10.6 million litres of pinot noir were exported last year, up almost 150 per cent from 4.1 million in 2006. We produced 23,285 tonnes of pinot noir grapes last year, up from 9402 tonnes 10 years ago. The amount of pinot noir we now have planted has almost doubled in the past decade to 4828ha.