All three women find themselves in separate romantic relationships that challenge issues of sexuality, identity and liberation.
The film wastes no time in stating its stance on gender politics: in the opening scene, Noor waxes her legs as her mother proffers sage advice on how to please her future husband.
The film reaches an uncomfortable turning point with a brutal rape scene - the aftermath being an incredibly raw and emotional sequence of events that cut to the bone.
It's a sequence that highlights Hamoud's ability as an evocative storyteller, a skill on par with The Salesman's Asghar Farhadi. Shot with a social realist sensibility with some clever but economical camera use, cinematographer Itay Gross has done a wonderful job of setting an evocative mood.
Hamoud has crafted a thought-provoking triptych of feminine tales that highlight Israel's powder-keg of social problems. Rather than providing answers, In Between tosses them in the "it's complicated" basket, which I like to think of it as provoking a healing discourse on the subject of women's rights.
In Between
Director: Maysaloun Hamoud | Cast: Mouna Hawa, Sana Jammelieh, Shaden Kanboura
Running time: 102 minutes
Rating: R13 | Violence, offensive language, drug use, sexual violence and content that may disturb.