He was an integral writer for six series and says that experience set him up to embrace the realities and limitations of the television format.
"While there is an element of craft to writing for television, in the end you've still got to make two hours of TV that people want to watch. You still have deadline. You still have to do the work. The key is to enjoy the process and embracing that. If the show is fun to write, it is not a chore."
A large reason for the success of Brokenwood is the dry humour and understated quirkiness of characters amidst the murderous plots. He says real life people, places, and situations are the inspiration for his process.
Asking the question 'what if?' is where he starts, and he used it to good effect when he was at a funeral.
Followers of the next series will recognise Mrs Marlowe playing the organ at a funeral in episode one. That particular storyline was created when he asked himself "what if" at a family friend's funeral in Tauranga early in the writing process.
Then, on the way back from that funeral he passed Matamata and saw the Hobbiton turn-off. This led to an idea for episode two. It's this approach to real life situations, letting them percolate, then allowing the creative process to lead him to write for Brokenwood.
"It's a case of seasoning. When you're cooking you want a little bit of this and a little bit of that and when you get the balance of flavours right, it's a good meal. That's where The Brokenwood Mysteries is at in this series. We know when the seasoning's just right, so it feels like a very satisfying meal. I hope our fans will feel sated and replenished after each episode."
the fine print
What: The Brokenwood Mysteries
Where: Prime Television
When: Sunday, October 30 at 8.30pm