The sign at the top of Rangiora St; the striking yellow flowers on the right are on an Aeonium. Photo / Phil Thomsen
The sign at the top of Rangiora St; the striking yellow flowers on the right are on an Aeonium. Photo / Phil Thomsen
Kem Ormond visits Castlecliff in Whanganui to learn how the community got together to create a garden that has transformed Rangiora St and helped beautify the suburb.
Rangiora St in Whanganui’s seaside suburb of Castlecliff used to be a desolate, windy spot, a poor cousin to the vibrant city centre.
However, the good works of Progress Castlecliff, community groups, the council and local entrepreneurs have transformed the once sad commercial heart of the suburb into a funky drawcard for visitors.
Today, it boasts a trendy cafe, a combined branch library and community hub, sculptural works and a great children’s playground close to the summer-patrolled beach.
There is even a property at Castlecliff that has a miniature train, complete with a station, up for sale.
The designer picked up on the plantings of aloe and agave species in the private garden of artist Ivan Vostinar, located in Rangiora St, and incorporated them in their design. This became the theme for the garden development, led by Vostinar.
As an aside, winning the commission to create the tableware for the Hobbit films allowed Vostinar to purchase his studio on Rangiora St.
Rangiora St is a great example of a community initiative.
Progress Castlecliff, particularly through the good offices of facilitator Jamie Waugh, acted as the intermediary through the planning stages.
The Whanganui District Council provided seed funding, much of it used for developing the necessary infrastructure for the makeover.
The only plants purchased were nikau palms and Dracaena draco.
For nikau, the tough Chatham Islands form was selected as the most suitable for the harsh conditions, and it has proved a success in the salt winds and impoverished sand.
Ivan Vostinar in his personal garden in Rangiora St. The striking silver plant on the right is a form of puya. Photo / Phil Thomsen
It has also helped that Vostinar’s partner is Simone Higgie, daughter of Nicki and Clive Higgie, owners of the well-known Paloma Gardens in Fordell, Whanganui.
Higgie was most helpful in sourcing and donating many of the succulent plants.
Vertical scale was regarded as important in creating the degree of statement and vibe envisaged in the concept plan, hence the inclusion of nikau palms and Dracaena draco.
Higgie (a trustee for Bason Botanic Gardens) and Vostinar also collected fallen branches of Aloidendron barberae (previously Aloe bainesii) at Bason Gardens; the rooted plants have now become a signature feature of the street – and didn’t cost a cent.
Seeds for another striking element, Aloe thraskii, were sourced from a plant in Oriental Parade in Wellington.
Palms and succulents make a striking accent in Rangiora St. Photo / Phil Thomsen
Forms of aloe are ideal for streetside plantings, as they provide dramatic foliage without the spikes found on similar plants, such as agave.
Various species flower sequentially from autumn to spring, drawing nectar-feeding native birds, particularly tūī and silvereyes (tauhou).
Initially, Furcraea parmentieri (syn. roezlii) was used to provide a vertical accent.
Aloes and other succulents flower over many months. Photo / Phil Thomsen
However, these plants aren’t long-lived, and the skirt of dead leaves down the trunk was affecting the line of sight down the street, leading to them being de-emphasised in the landscaping programme.
Rangiora St is fringed by succulents and nikau palms. Photo / Phil Thomsen
Osteospermum daisies have found their own way into the garden because their long season with dazzling flowers, combined with legendary toughness, makes them an ideal low-maintenance ground cover.
Feedback has been overwhelmingly positive.
The only criticism has been the relative lack of New Zealand natives.
However, it was felt during the planning stages, given the overwhelmingly harsh conditions, that tough succulents would provide the best guarantee of success, particularly in light of the desire to include strong vertical elements.
Another factor is that the sand bakes and becomes bone dry over the summer, making it very difficult to re-wet.