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Home / Whanganui Chronicle

Mapping the Millispheres: Too many tourists

By Fred Frederikse
Whanganui Chronicle·
29 Jan, 2019 02:59 AM4 mins to read

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The kare-sansui (dry landscape) Zen rock garden at Ryoan-ji Temple in Kyoto. (Getty Images)

The kare-sansui (dry landscape) Zen rock garden at Ryoan-ji Temple in Kyoto. (Getty Images)

millisphere (noun): A discrete region inhabited by roughly one-thousandth of the world population — now approaching eight million but anywhere between four and 16 million will do. A lens to examine human geography.

KYOTO prefecture (2015 population 2.6 million) is too small to qualify as a millisphere.
Kyoto is part of
the Kansai region (23 million), which includes the city of Osaka (8.8 million), but if we combine Kyoto with neighbouring Shiga prefecture (1.4 million) that gives a total population of four million.

The Shiga prefecture surrounds Lake Biwa (the largest freshwater body of water in Japan) and is within commuting distance of Kyoto, and it recently considered changing its name as one strategy to attract tourists away from Kyoto.

Kyoto has more visitors every year than either Mecca or Disneyland and is now suffering from "over-tourism".

Because of its history and its temples, Kyoto has always been a popular destination for the Japanese and visitor numbers hovered around 40 million per year from 1975 to 1999 before hitting 50 million in 2008. By 2015 there were 57 million tourists — around half of them foreigners — bringing US$9 billion to the city that year.

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In contrast, Mecca has 15 million pilgrims annually (four million for the haj) and Disneyland, Anaheim, LA, has 18 million paying visitors every year.

In 2003 there were only five million foreign visitors to Japan, which then launched the "Visit Japan" campaign. By 2017 there were 27 million foreign visitors, 85 per cent of them from Asia, with three-quarters coming from just China, Korea, Hong Kong, Singapore and Taiwan.

In 2005, on a stop-over on the way to Europe, I was one of those foreign tourists.
Tourism locations around the world are popular for a good reason and Kyoto's reason is its temple gardens. The reason I wanted to see them was quite prosaic — I was a landscape gardener and had seen photos of the famous Japanese gardens.

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I knew that these minimal, natural, but somehow stylised compositions had their design rooted in the Japanese culture and the Shinto and Buddhist religions.

Once, while grappling with the aesthetics of rock placing, I found myself climbing up a stream bed after a summer flash flood. The way the rocks and sand had been rearranged read like a static representation of the forces of nature and seemed pleasing to my eye — I decided then that one day I wanted to make the landscaper's pilgrimage and see the rock gardens of Kyoto.

At Osaka airport we were met by Masami, from nearby Mie, who had stayed with us in New Zealand when she had toured our country.

Personifying the Japanese spirit of omotenashi (hospitality), Masami shepherded us by rail to Kyoto and a hostel, stayed the night, took us around some prime sights, went back to work, and returned on the last day to put us back on the plane at Osaka.

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It was winter and the off season in Kyoto. Snow had crushed the bamboo, rushes and grasses and then melted away, while black crows called from the trees and white herons waded in the Kamo River.

We headed for Rokuon-ji temple to see the pavilion, papered with gold leaf, reflected in its landscaped pond.

At the top of my list was Rhoan-ji with its garden of rocks and raked sand. Around the back (I didn't realise that there was a back, or an approach) there was a water-basin. The inscription on the stone basin said: "I learn only to be contented".

Masami translated it as "I learn so I will not want". More to the point, I thought.

At Daitoku-ji my preconception of the Japanese garden was shattered. One garden was dedicated to Sorin Ohtoma (1530-89), a Christian feudal lord from Kyushu. Viewed from a corner of the garden, rocks are arranged to hint at the reclining form of a cross — a cross "burdened on the multitude of the world, symbolised by the numberless grains of sand".
These days the multitudes are the flag-following, selfie-stick-wielding tourists, feverish to photograph everything, desperate to consume the next experience, and caring little for the consequences.

One solution to "pollution by tourism" is to stay at home.

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Fred Frederikse is a self-directed student of human geography — Mapping the Millispheres, "a new millenium travel story", can be found at millisphere.blogtown.co.nz

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