When we take people on a basement tour of the Museum's collections, opening the cupboard of mounted huia specimens is always emotional. Most people have never seen so many huia in one place, and there's often a feeling that if it weren't for the greed of museums these birds might
Conservation comment: What became of the huia?
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Male and female mounted huia
Huia seemed doomed. At the time there was no organised conservation movement and translocation and captive breeding were in their infancy. Scientists around the world could see the writing on the wall, and were anxious to get huia specimens into museum collections, so at least some trace of the birds would remain after they went extinct. But the numbers collected for museums were trivial compared to the mass slaughter that was going on. Brian Gill estimated that there are only about 350 huia in all the world's museums, whereas our best estimate for the huia population at the time Pākehā arrived is around 50,000 birds. Most of the birds that were stuffed and mounted were sold privately, to people who wanted something exotic to display in the parlour. Many of these specimens – moth-eaten, faded and missing some tail feathers – eventually found their way into museum collections.
It's easy for us to blame the extinction of the huia on a single villain, like rapacious museum collectors. But the culprits were ordinary people: acclimatisation societies bringing in stoats to solve the rabbit problem, farmers clearing some bush for pasture, hunters just trying to make a bit of extra money, fashionable gentlemen willing to pay £1 for a feather, middle-class families after an interesting talking point for the mantelpiece.
From the small collective impacts of ordinary people we get an environmental tragedy.
It's something worth thinking about in light of today's extinction crisis, when we're looking for villains to blame for Maui dolphins or yellow-eyed penguins.
Mike Dickison is curator of natural history at Whanganui Regional Museum.