As someone who grew up with punk rock, ethics and values have always been central to my thinking about music, in a way that isn't as true for, I guess, jazz or indie or whatever. I still try and live a life that Henry Rollins would approve of, though as I get older, I like to think I have a more realistic take on some aspects of that!
4. Big venues or cosy venues?
It's nice that I don't really have to choose, I play a variety of different sized rooms around the world, and the variation keeps me fresh. Both big rooms and arenas have many things to recommend them for a show.
5. What is your favourite song to perform live and why?
I'm an unashamed populist when it comes to my shows and setlist choices. I like the songs that make the division between stage and audience feel less important.
6. What does success as a musician mean to you?
On a mundane level, it means not having a day job. But it's not a mundane thing. I get to be creative, travel the world, be my own boss. These are wonderful privileges to enjoy. In the end, success really means making music and playing shows I can stand behind and be proud of, and I do that most of the time.
7. What message would you give any young person wanting to be a successful musician?
Educate yourself as to how the industry works. Be your own harshest critic, creatively.
8. What's your favourite memory of your times in New Zealand?
New Zealand has always been good to us. One of my childhood best friends lives just outside Auckland, and getting to catch up with him is always a real joy.
9. You can only fit one album by another artist on your device — what is it?
Reconstruction Site by The Weakerthans.
10. You're curating a music festival. Who's on the bill, alive or dead?
