MAHUIKA: Part of Lisa Reihana's 'digital marae' series, Mahuika depicts the goddess of fire (right). 'The photographs, which used Reihana's family and friends as models, are printed on two-metre-high aluminium sheets, says online encyclopaedia Te Ara. 'Reihana uses digital media to create portable symbols of ancestral figures, which were historically found as carvings on a marae but have become distant to generations of urbanised Maori.'
Visitors to Auckland Art Gallery exhibition, Tu Toi Ora: Contemporary Maori Art, literally step into tangata whenua's creation story, says curator Nigel Borell.
That story begins with Te Kore (the great nothingness), travelling through to Te Po (the darkness), followed by the separation of Ranginui and Papatuanuku before entering Te
Ao Marama (the world of light and life).
“Toi Tu Toi Ora is organised around the Maori creation narrative as a way to enter into a conversation about the importance of Maori art and artists, and to explore what unites these artists across space and time,” says Borell.
The major survey of contemporary Maori art from the 1950s to the present day is Auckland Art Gallery Toi o Tamaki's largest exhibition ever. It showcases artworks by artists such as Ralph Hotere, Lonnie Hutchinson, Robyn Kahukiwa, Mere Harrison Lodge, Merata Mita, Buck Nin, Fiona Pardington, Michael Parekowhai, James Ormsby, Lisa Reihana, Rachael Rakena, Peter Robinson, Wi Taepa, Cliff Whiting, Arnold Manaaki Wilson, and Pauline Yearbury.
Toi Tu Toi Ora will include new artworks that will be unveiled during the exhibition's season.