The festival also shines a spotlight on dance: Black Grace celebrates its 25th anniversary with a 10-venue tour of Verses. Then there is the decadent pick of the festival — Ballet Preljocaj's Snow White masterminded by acclaimed French choreographer Angelin Preljocaj with costumes by fashion designer Jean Paul Gaultier.
Set in a hotel room in Auckland, Wiradjuri dancer and performer Joel Bray's immersive encounter Biladurang is described as ranging from the grand to the intimate.
For theatre-goers, there is the top pick for AAF 2020 — Barry McGovern in a stage adaption of Samuel Beckett's novel, Watt, which sits comfortable in the Theatre of the Absurd canon.
Direct from Belgium, Cold Blood unfolds in miniature, and on the tips of performers' fingers, while filmed and projected live to transport the audience to miniature worlds where the fingers do the walking.
Auckland Theatre Company's Black Lover will have its world premiere at the AAF, while Silo Theatre's first production for 2020, UPU, brings Pacific literature to roaring theatrical life.
Curated by award-winning poet Grace Taylor and led by powerhouse director Fasitua Amosa, UPU presents the stage to Oceania poets Ben Brown, Karol Mila, Albert Wendt and more.
The festival is drenched in music — New Zealand composer Eve de Castro-Robinson considers the future of our next generation in her newest concerto, Clarion. The work features Bede Williams on trumpet and putatara (conch shell).
Research shows that an understanding of our warming climate can be seen in the carbon being layered in the growth of the conch shell.
This outline barely scratches the surface. For the full programme, go to www.aucklandfestival.co.nz.