“I was sitting here in pain and not able to do anything,” says Davis.
“But I found once I started painting I went into that zone and forgot the pain. I get so excited when I see my work come together. It’s given me something to look forward to. I can get started then look up and find it’s two in the morning.”
Davis’s artistic renaissance began with brightening up a dresser in primary colours. The reds, blues and yellows are closer in spirit to the bright chalky tones seen in the painted exteriors of plaster-cladded buildings in Mexico. Davis’s dresser though is decorated with a circular, pentagram-based pattern.
Now in training as a SPELD teacher with a view to working with children with learning disabilities such as dyslexia, Davis’s fascination with the brain and how it works extends into her artwork. Study of brain function and how various conditions light up different parts is part of her coursework so the born-again artist recently experimented with crafting a human brain of two halves with coloured parts from polymer clay she baked in the oven.
The large, decorated skull (pictured) was Davis’s first completed skull design. A horned goat skull patterned in the same colours as the dresser has joined the collection. A selection of bleached skulls on an iron table out back now await their new lives.
Skulls Davis has collected include the bleached remnants of a goat cull, skulls washed up by the river and a bull’s head with a bullet hole in it.
“They’re things we found and I eventually make beautiful,” she says.
“They served their purpose and lived their lives. It’s so much fun finding them.”