Alleluia shares the same virtues, with the distinctly Slavic tint of her voice imbuing Vivaldi's entreaties with a touching plaintiveness, until all is resolved in a joyous Alleluia.
Every Alleluia comes with its own character. Handel's dances in triplets, with piquant woodwind; Porpora's is in brisk triple time, with Lezhneva a trilling, fluttering bird.
Mozart's Alleluia completes the best-known work on the disc, his Exsultate Jubilate K 165; here Lezhneva conveys a freshness and vitality that fits with this delightful specimen of the composer's teenage genius.
The same naturalness is there in Handel's Saeviat Tellus Inter Rigores, a motet that dates from the years when the young composer was enjoying the Mediterranean climate and lifestyle of Italy.
One can imagine the effect of the aria O nox dulcis on the pleasure-loving cardinals who commissioned such works. Lezhneva has explained, in somewhat insecure English, that she sees the singer as a good angel trying to save everyone from Lucifer and his storms. With singing like this she deserves a place in Heaven alongside Michael and Gabriel themselves.
Classic CD
Julia Lezhneva Alleluia (Decca)
Verdict: "Russian soprano Julia Lezhneva's second CD deserves a rousing chorus of Alleluias"
Rating: 5/5