How concrete polished up its act

By Kate Williams

SIZE: House approx 275sq m; land 499sq m.
PRICE INDICATION: Similar houses have sold for upwards of $2.5 million.
INSPECT: Sat/Sun 12-12.30pm. Auction: March 12, unless sold prior.
CONTACT: Carl Madsen, Barfoot & Thompson, ph 021 953 152 or (09) 376 3039.
2B Elizabeth St, Freemans Bay. Photo / Ted Baghurst
2B Elizabeth St, Freemans Bay. Photo / Ted Baghurst

Artist Teresa Canal laughs that she and her engineer husband are very impulsive people. But the building project they have just finished in Freemans Bay with architect Tim Dorrington, is anything but. Minutely considered from its disciplined palette of materials (concrete both rough and smooth, steel, cedar, strandboard) to the sitting of the house on the land, the placement of windows, even the selection of door furniture, this is a house that suggests of hours of careful thought.

"My husband engineered the site with a massive retaining wall - it took two months to source the right clay and countless truckloads to level the site. Then he handed it over to me to run the building project," says Teresa. No pressure, then.

The brief to Dorrington would have been a joy for any architect: the couple specified a house that was not enormous, but was well-designed. They are very social, so needed a space that could fit people, dogs, loads of kids ... a good house for a party. The focus of the brief was functional, nothing extraneous. Dorrington responded with a deceptively simple design - a double-height concrete rectangle, intersected at an angle by a cedar-clad box for the double garage.

But it is his detailing that makes the spaces exceptional. The mansard-style steel roof reflects the shapes of the surrounding villas. Upstairs, instead of vast expanses of glass everywhere, he poked in irregular square windows as a modern reference to odd attic windows of centuries past. A concrete bridge intersects and frames the vast living room ceiling.

Dorrington also played with light and dark. Richly stained strandboard covers the entry lobby (with boot closet and hidden guest loo) and wraps around the kitchen storage. A deep recess housing cookbooks opens to a south-facing studio for Teresa with French doors to the garden. The kitchen bench segues from serviceable stainless to a luxurious stone dining table. Plywood and strandboard satisfied Tim's brief. This intimate space then opens to the soaring ceiling and sliding glass walls of the living room. Off this are another set of darker, intimate spaces; one the husband's gentleman's study and a spacious utility room.

Teresa's piece de resistance is the spiral staircase she designed with Justin from Concretec. Lit by in-ground spot lights ("the electrician will never forgive me"), edged with glass, this is a sculpture as much as a functional fitting. From the bridge, perfectly shaped windows frame a Stanley Palmer-like landscape of cabbage trees and lawn of the neighbouring Costley Park.

Upstairs the bedrooms are in two wings. The master suite, complete with a simple origami-like tile, has Teresa's one luxury demand - his and hers closets so the couple don't have to deal with each others' mess. The children's wing is truly delightful: double rooms and a lounge are anchored by a vibrant column of painted stripes. Open the curved door to Teresa's folly: a light-filled bathroom with a glass skylight, bouncing the sunlight from pearly mosaic tiles, and a curved doorway - more building headaches, Teresa confesses.

But maybe the couple are impulsive after all. They have decided to sell their city property to fund a more laid-back lifestyle - her to her art practice, him to bee-keeping.

- NZ Herald

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