Rating:

4/5

Verdict:

Float across a tumultuous sea of female emotions

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Like many of the hip young indie bands on the

, Warpaint made a name for themselves thanks to the cool kids of the blogosphere.

And, like many others touring the Australasian festival, they hail from LA, the most fashionable breeding ground for experimental music at the moment.

Currently an all-female four-piece, they create atmospheric, undulating, and haunting psychedelic rock. At times it seems more intimate than the work of most of their contemporaries. This could be because the band was born out of a childhood friendship.

In

Undertow

lead singer Emily Kokal teases her listeners by opening with a sweet, earthy melody then launches into hyperactive vocal mockery to thick bass and rumbling keyboards.

Between the subtle energy of spookier minor keys of

Set Your Arms

and gloomy piano of closing track

Lissie's Heart Murmur

, the kitsch pop of

Warpaint

, and the wild composition of

Composure

which boasts splashings of piercing cries, choirs, winging guitars and scattered drumming, it's a varied album, that keeps its audience on their toes.

At times, Kokal is whimsical and warm, and at others she pulls out icy Bjork-like vocals. This means some songs start brutally, but then turn a soft romantic corner, or do the reverse. An impressive debut and a complex listening experience.

-TimeOut