But "his going electric changed the structure of folk music," said Newport Folk Festival founder George Wein, 88. "The minute Dylan went electric, all these young people said, 'Bobby's going electric. We're going electric, too.'"
Christie's had expected the guitar, which was sold with its original black leather strap and Fender hard-shell case, to go for far less: US$300,000 to $500,000.
The previous record for a guitar sold at auction was held by Eric Clapton's Fender, nicknamed "Blackie," which sold at Christie's for US$959,500 in 2004.
Dylan's guitar had been in the possession of a New Jersey family for nearly 50 years after the singer left it on a private plane.
The pilot's daughter, Dawn Peterson of Morris County, N.J., said her father asked Dylan's management what to do with the instrument, and nobody ever got back to him.
Last year, she took it to the PBS show "History Detectives" to have it authenticated, and rock-memorabilia experts matched its wood grain to close-up color photos of Dylan's instrument at the 1965 festival.
Dylan's attorney and his publicist didn't respond to email and phone requests for comment. Dylan and Peterson, who declined to be interviewed, recently settled a legal dispute over the items. The terms weren't disclosed.
In embracing electric guitar, Dylan was credited with infusing rock with the depth and complexity of literature.
In truth, Dylan had gone electric well before the 1965 Newport Folk Festival. Months earlier, he released the album "Bringing It All Back Home," one side of which was electric. And the single "Like a Rolling Stone" came out just days before the festival.
But his performance at one of folk's biggest showcases in front of some of the purest of folk purists caused a sensation.
Exactly what happened at the festival on July 25, 1965, has become enshrouded in legend, and debate persists over whether those who booed were angry over Dylan's electric turn or were upset over the sound quality or the overly brief set.
Backed by a rock band that included Mike Bloomfield on guitar and Al Kooper on organ, Dylan played such songs as "Maggie's Farm" and "Like a Rolling Stone." He returned for an acoustic encore with "It's All Over Now, Baby Blue."
Legend has it that Pete Seeger, one of the elder statesmen of the folk movement, was so angry that he tried to pull the plug on the electric performance or threatened to cut the cable with an ax.
But years later, Seeger said he had nothing against Dylan going electric he was upset over the distortion-filled sound system.
Christie's also was offering five lots of hand- and typewritten lyric fragments found inside the guitar case early versions of some of Dylan's songs. They had a presale estimate ranging from US$3,000 to $30,000. But only one of them sold; it went for $20,000 and contained draft lyrics for "I Wanna Be Your Lover."
- AP