Lies, damned lies and photography

By PAUL VALLELY

Everyone knows the saying that the camera never lies. What is less well-known is that the man who coined the phrase almost a century ago, the great American documentary photographer Lewis Hine, added a rider: "While photographs may not lie, liars may photograph".

They have been at work ever since, as was seen last week with the fake snap of John Kerry which caused a stir in the United States. It purported to show him associating in the 1970s with the film star Jane Fonda, who is still widely reviled in the US for her visit to the enemy capital, Hanoi, during the Vietnam War. Many people still see it as the act of a traitor.

This was not the kind of publicity the Democrats' leading presidential candidate needed. We now know it was doctored but it fooled many US citizens and some British newspapers.

It is easy to say with hindsight they should have known better, for the black art of photographic manipulation has been with us for a long time.

True, it is more sophisticated than when two girls in Yorkshire launched what was to become one of the greatest hoaxes of the 20th century when they claimed to have photographed fairies at the bottom of their garden.

The pictures, taken in the summer of 1917, turned out to be paper illustrations, cut from a popular children's book, Princess Mary's Gift Book, and held up with hatpins. But it was a stunning deception. The Cottingley Fairies fooled many people, including the eminent self-styled detective Sir Arthur Conan Doyle.

The techniques of trickery have evolved over the years. At first a bald lie sufficed. In Russia at the end of the 19th century, a French lumiere operator, finding that audiences at the Cinematographe craved film of the Dreyfus scandal, strung together shots from a number of films he had on hand - a group of French soldiers with an officer, an imposing building in Paris, and a ship at sea - to create the desired effect.

But then came physical interference with the photographic print. Abraham Lincoln was a pioneer here, asking a photographer to retouch a portrait to shorten his neck and make him appear more youthful. The result, he insisted, helped his electoral victory.

Next, Edwardian spiritualists discovered that double exposure would produce photographs of spectral relatives hanging in the air behind their grieving clients.

In the 1930s, supporters of the anti-Communist zealot Joe McCarthy turned to careful scissorwork to undermine one of his earliest critics - Senator Millard Tydings - appearing to make him unnaturally friendly with the leader of the American Communist Party.

But if the techniques evolved, the formulae of fraud are fairly constant. So are the motivations. The press office of actor Robert Redford used to issue instructions that his photographs should be retouched - particularly "the veins on his nose" and "the area around the throat and neck".

Some stars don't even have to ask, as with the GQ magazine cover shot of Kate Winslet, which was digitally "stretched" to make her look thinner and sexier.

Then there is mischief. It now seems pretty clear that the quintessential photo of the Loch Ness monster, allegedly shot in 1934 by a London gynaecologist, was a hoax made from a toy submarine to which a neck of plastic wood had been fastened.

A similar sense of prankishness is today to be found behind internet japes, such as doctoring images of George Bush so he is holding a children's book upside down, or looking through binoculars with the lens caps on.

But the main motivation behind picture manipulation is politics of a darker kind. It always has been. During World War I many newspapers showed faked propaganda photographs of Kaiser Wilhelm cutting off the hands of babies.

Soviet archives were filled with shots in which "disgraced" individuals, such as Tolstoy and Molotov, had been airbrushed from party portraits on the orders of Stalin.

In the West, pictures of the German film-maker Leni Riefenstahl were doctored to place her standing next to Hitler, to reinforce the anti-Nazi view that she was too close to the dictator.

Manipulated photos can reveal hidden agendas. Time magazine came in for criticism for being racist when its cover featured a grim mugshot of OJ Simpson - looking darker and more sinister than in the same picture on the cover of Newsweek.

The official police photo turned out to have been electronically manipulated to create what Time, in small type on an inside page, called "photo illustration".

And in Britain, The Daily Mail was taken to task by Reuters when two of the agency's photographs of the singer Michael Jackson - taken the day after he dangled his baby son from a window - were merged under the emotive headline "Is he fit to be a dad?"

To make the image even more distorted, Jackson's security personnel had been painted out of the image.

Modern computer technology has made such cavalier decisions easier to make - such as when the National Geographic used an early Scitex computer digitiser to move one of the Great Pyramids of Egypt so it would fit the magazine's vertical cover format.

Russell Roberts, senior curator at the National Museum of Photography said: "It is possible, with careful scrutiny, to detect some of this."

"If you look at the Kerry/Fonda picture you can see there are two different light sources on the two figures.

"There are shadows on the side of Fonda's face, but not Kerry's; the light falls differently on the wrinkles in their clothes," Roberts said.

Yet such analysis is not uncontroversial.

Not everyone is convinced by the website of the French astronomer who says that the shadows in the pictures of American astronauts on the moon prove that the Apollo lunar mission was a fake and that the pictures were codded up in some US desert.

Still, truth is not always the final prejudice. Barbara Warnick, Professor of Media Criticism at the University of Washington, and author of Critical Literacy in a Digital Era says: "Events have shown that parodic activity can be a consequential factor in national [election] campaigns."

The task of campaign managers has nowadays shifted to "reviewing what is out there and trying to contain it".

Until now it has been Bush who has been the butt of the internet photo parodies - with shots of him cuddling up naked to Al Gore, earnestly studying "Anchor Politics for Dummies", or dressed in women's clothes.

His aides have been so worried that they had lawyers send a cease-and-desist order to one website and eventually filed a complaint with the Federal Election Commission.

Which means that Senator Kerry can comfort himself with one thought. The faked photos of him and Fonda show that he must have got the Bush camp really worried.

- INDEPENDENT