The local songbird does a decent
on the final track, her cover of Springfield's torchpop classic
. But despite Fay penning the bulk of the songs on this, her sophomore album, it still plays like a collection of covers selected for their easy-listening potential. True, she has added some variety by employing an occasional gritty hip-hop bassline (as on the passable single and title track), while the ballad
comes with a heartfelt lyric, and
Love is a Bitch
comes with a pleasantly punchy groove. Otherwise, though, this is essentially a selection of interchangeable and forgettable pop-soul of little personality.