When the email arrived, announcing the surprise return of the master of musical reinvention, it was titled, appropriately "where is David Bowie?"
After a decade marked by speculation that the star had variously retired, fallen seriously ill or become a recluse David Bowie was back, with a melancholy new song and a haunting video which was immediately hailed as a masterpiece by fans who doubted this day would ever come.
With none of the hype which normally accompanies the return of a rock legend, the new song, titled Where Are We Now? slipped on to iTunes overnight and was immediately made available to download, on Bowie's 66th birthday.
Within hours it had shot to the top of the UK iTunes chart.
An album, The Next Day, his 30th studio recording, will follow in March, a complete track-listing issued with the news confirming its existence.
Feverish speculation followed that Bowie would return to the live stage, possibly headlining this summer's Glastonbury festival. "Getting David Bowie to tour is the holy grail of promoters," said John Giddings, who promotes the singer's UK shows.
This sudden burst of Bowie activity came as a welcome surprise, even to the star's own representatives. Little has been seen of the Brixton-born singer since he suffered chest pains during a 2004 concert in Germany, diagnosed as an acute blocked artery, requiring an emergency angioplasty.
The rest of the tour, accompanying the well-received Reality album, was cancelled and Bowie, chastened by this brush with mortality, retreated to his luxury penthouse apartment in Soho, downtown Manhattan, with his supermodel wife Iman and their daughter Alexandria.
Beyond the occasional guest appearance, there was no sign that Bowie was interested in rejoining the musical fray, a worrying sign for an artist famed for absorbing the latest sounds and styles into his work.
Always a reluctant flyer, he is not believed to have visited Britain for six years. Bowie turned down the opportunity to appear at the Olympics Opening Ceremony last year despite a personal plea by director Danny Boyle. Reports that Bowie spent his days holed up watching imported DVDs of BBC dramas including Life On Mars, the time-travel cop show inspired by his hit song, helped fuel theories that the former flamboyant idol had become a recluse.
A recent snatched picture of Bowie buying his lunch in Soho, wearing a flat cap and a hoodie but finally looking his age, suggested nothing quite as dramatic. According to Iman, the couple love "going to the park and sitting in cafs. We're just ordinary people. Our life is domestic." Yet Bowie, who once sold asset-backed securities against his future album royalties, remained acutely aware that his cultural value was rising, throughout this period of "retirement". He secretly began work on a new album with long-term collaborator Tony Visconti.
Bowie gave unprecedented access to his archive of Ziggy Stardust-era costumes for a major retrospective at the V&A showcasing his influence on fashion and art. Bowie's new album will be released to coincide with the launch of the exhibition in March.
Bowie takes a keen interest in the re-release programme of his famed back catalogue and has observed the $20 million which the Rolling Stones earned for a handful of concerts last year. In an era of over-exposed festival headliners, Bowie can name his fee whenever he chooses to return to the stage.
The enthusiastic response to his under-stated comeback, which returned an air of mystery and anticipation to an industry dominated by production-line pop and reality television stars, confirmed Bowie as music's last true enigma.
An associate of the star said: "We tried everything to spark Bowie's interest in returning to music but he just seemed happy in semi-retirement. Yet we always knew one day, out of the blue, he would just send an email and say 'here's a new album'."
- The Independent