Critics think Disney is make-believe art

Euro Disney is popular but will gallery Disney also draw crowds?

FRANCE - Move over Picasso and Constable, Manet and Poussin. Here come Mickey Mouse and Donald Duck, Snow White and Bambi.

An ambitious exhibition in Paris is introducing the world to the most neglected artistic genius that it already knows: Walter Elias Disney.

The show is on for four months at the Grand Palais, just off the Champs Elysees, one of the most prestigious exhibition sites in the French capital. The choice of venue is sending shock waves of disapproval through parts of the artistic world.

Walt Disney in the Grand Palais? What next? Peanuts in the Louvre? Tom and Jerry in the Prado?

If you are prepared to take a broad-minded view of art; or if you are a lover of early Disney movies; or if you are interested in the history of the cinema, the exhibition will be a delight. It includes the largest collection of original material allowed to leave the archives of the Disney studios in Burbank, California: including sketches for the first Mickey Mouse cartoon Steamboat Willie (1928), preliminary paintings for Snow White (1937) and watercolours, models and puppets for Pinocchio (1940).

The exhibition explores the mostly European artistic influences on the early Walt Disney, from Mickey Mouse to the Jungle Book (1967). It pays tribute to the talent of the, again mostly European, artists used by Disney to develop the characters and settings of his feature-length films.

The show, Il etait une fois Walt Disney (once upon a time, there was Walt Disney), also looks at the influence that Disney has had on modern art, from Salvador Dali to Andy Warhol. It includes a daily showing of scraps of an unlikely Disney-Dali joint project from 1945, an unfinished film called Destino.

Most provocatively, the exhibition tries to make the case that some of the stills or sketches for the early Disney films should be regarded as great art.

The show's chief curator, Bruno Girveau, of the Ecole Nationale Superieure des Beaux Arts in Paris, admits that Walt Disney is seen by many as a "paragon of the insipid" and, at best, "a story-teller of genius".

It is time for a radical reassessment, says |M. Girveau, at least of those Disney films made before the founder's death in 1966.

"It is my conviction that Walt Disney should be considered amongst the most important figures in the cinema - and more broadly in the art - of the 20th century," he says in the exhibition catalogue.