It's about this time of year that the world's biggest music blogs and mags start huffing and puffing about their favourite albums of the year.
There have already been plenty of cat fights over exactly what 2011's best album has been - and never mind the fact that it's only December 7.
Both deserve top 10 spots.
But this year's lists seem to be a little conflicted.
What usually happens is there are a couple of obvious albums that will take out No. 1. Last year there was Kanye West's My Beautiful Dark Twisted Fantasy. In 2009, we had The xx and Animal Collective's Merriweather Post Pavilion.
And in 2008 there was Fleet Foxes' debut and MGMT's Oracular Spectacular.
But a quick glance at the latest best-of lists coming out overseas shows a serious divide.
Everyone's naming something different - just check out some of the albums that have topped various lists already:
Q magazine: Ceremonials - Florence and the Machine
Stereogum: Father, Son, Holy Ghost - Girls
Uncut: Let England Shake - PJ Harvey
Paste: Bon Iver - Bon Iver
Yes, I've got some pretty broad and weird music tastes but I didn't really rate any of those albums. Florence and Harvey were a little boring, Bon Iver too quiet and Girls, well, I'll make my mind up after next year's Laneway fest.
We're still waiting for big guns like NME and Rolling Stone to get their lists out, and obviously the Herald's TimeOut will be naming their favs soon - no doubt with plenty of local goodies on there.
But seeing as we're here already, I might as well put my two cents in, so here are my nominations (in no particular order):
Mastodon's The Hunter: Their most accessible dose of scuzz-metal yet.
Foo Fighters' Wasting Light: Six months on and I'm still loving it.
Jamie xx's We're New Here: Wonderfully textualised dubsteppy goodness.
Unknown Mortal Orchestra's debut: The closest we'll get to another Mint Chicks album.
David Dallas' The Rose Tint: He was robbed at the music awards.
RES - Absolute Epoch: The most brutal hip-hop album ever made by Kiwi rappers- so dark they broke up after making it and refuse to peform it live.
Burst Apart - The Antlers: Imagine if Coldplay were super indie and cool, and no one on the planet knew about them.
The Black Keys' El Camino: Addictive synth-rock that hits your brain like a sugar rush.
The Roots' Undun: Another dose of thought-provoking, story-telling cinematic hip-hop.
Limp Bizkit's Gold Cobra: Umm, just kidding.
That'll do us. So what are your contenders for album of the year?
- Herald online